The first scribble
Two operators, one whiteboard, one stubborn idea: kill the deck, save the room. Palooza gets a name, a logo, and a Notion doc.

Palooza is the global elevator-pitching championship — a sold-out show, a film studio, and a follow-on fund, all built around the most useful sixty seconds in a founder's life.
The best founders rarely meet the right investors. And when they do, the format is broken — sixty slides, twenty minutes, zero memory the next morning.

Founded in 2025 by a coalition of operators, journalists and event producers, Palooza turned the dusty pitch competition into a sold-out show. What started as a single night in London is, twelve months on, a four-city circuit with its own studio and follow-on fund in motion.
Between an extraordinary idea and the people who can fund it. Sixty seconds is not a constraint — it's a forcing function for clarity, conviction and consequence.
Four principles we run every show, every cut, every hire against.
Every decision — venue, font weight, lighting cue — is in service of founders being taken seriously.
Constraint is the creative act. If it can't be said in a minute, it isn't ready for a room.
We obsess over who's in the audience, where they sit, and what they hear in the hour before doors.
When the script and the human disagree, we cut the script.
From a whiteboard in May ’25 to a sold-out Final at the Emirates — the first year of Palooza, in six moves.
Two operators, one whiteboard, one stubborn idea: kill the deck, save the room. Palooza gets a name, a logo, and a Notion doc.
120 seats. 14 founders. One standing ovation. The first Palooza night sells out in 48 hours and breaks the format wide open.
We build a studio above a pub in Shoreditch and ship the first batch of 60-second pitch films. They hit 4M views in three weeks.
NYC and Lisbon join the circuit. 60 founders raise a combined $48M within 90 days of stage. The room becomes a habit.
Our debut World Final at Emirates Stadium. 1,800 attendees. The format every founder now wants to crack.
Palooza Ventures, four more cities, and the first Asia leg of the tour. We’re twelve months in and we’re only getting louder.
Operators, producers and investors. Six directors. One unreasonable standard.
Co-founder & Creative Director
Ex-BBC Films producer. Spent a decade making founders look human on camera before Palooza existed.
Co-founder & CEO
Operator turned showrunner. Sold his last company to Stripe at 32, then went looking for a better way to pitch.
Director of Programming
Curates the founders, the rooms, the running order. The reason every Palooza night feels inevitable.
Director of Investor Relations
Twelve years at Sequoia and Index. Brings the cheque-writers — and tells us which ones actually mean it.
Director of Film
Two-time Cannes Lions winner. Turns 60 seconds of stage time into the most-watched founder film of the week.
Director of Global Events
Ran live ops for the Olympics opening ceremony. Now choreographs every Palooza house — to the second.

“Palooza is the only room where I've watched a founder go from unknown to oversubscribed before the lights came up.”
Applications open year-round for our city circuit and the World Final. Selection is brutal. The room is worth it.